{"id":1335,"date":"2018-12-27T14:30:37","date_gmt":"2018-12-27T12:30:37","guid":{"rendered":"https:\/\/ictvc.org\/2019\/?page_id=1335"},"modified":"2019-07-03T10:08:02","modified_gmt":"2019-07-03T07:08:02","slug":"programme","status":"publish","type":"page","link":"https:\/\/ictvc.org\/2019\/en\/programme\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\t\t
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Challenging design paths<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ICTVC 7<\/b> \u00b7 Patras, Greece \u00b7 19 \u2014 21 June 2019<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Programme<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Please, note that this draft is subject to change<\/strong> and will be continuously updated. A pdf version of the full programme will be made available in June 2019.<\/span><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Main Conference<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tWednesday 19<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

\u00a0<\/h3>

Hall \u00b7 1<\/span><\/h3>
08:30-09:30<\/span><\/td>REGISTRATION<\/span>
<\/em><\/td><\/tr>

09:30-09:45<\/span><\/p>

09:45-10:00<\/p><\/td>

Welcome messages<\/span><\/em><\/h3>

The 7th ICTVC 2019<\/h3>

Klimis Mastoridis | CYPRUS<\/p><\/td><\/tr>

10:00-10:30<\/td>

Data Walking<\/h3>

David Hunter | UK<\/p><\/td><\/tr>

10:30-11:00<\/td>

Challenging design training: do designers suffer more with harder to read typefaces?<\/h3>

Mary Dyson | UK, David B\u0159ezina | CZECHIA<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
11:30-12:00<\/td>

The Hawker Centers of Singapore: How the island state\u2019s multicultural and poly-linguistic environment typographically and pictographically mingle in a communal space for food to create a unique culinary identity<\/h3>

Kok Cheow Yeoh | USA<\/p><\/td><\/tr>

12:00-12:30<\/td>

Pictogram innovation during the 19th and 20th century: an industry perspective<\/h3>

Wibo Bakker | CHINA<\/p><\/td><\/tr>

12:30-13:00<\/td>

A 1970s American perspective on Isotype seen through the Henry Dreyfuss Symbol Sourcebook archive<\/h3>

Sue Perks | UK<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/em><\/span><\/td><\/tr>
14:30-15:00<\/td>

Pictophilia: why do we believe that \u2018pictograms\u2019 can effectively communicate complex concepts about medicines?<\/h3>

Karel van der Waarde | BELGIUM<\/p><\/td><\/tr>

15:00-15:30<\/td>

Designing for Law is not boring. Seeking an idealistic path<\/h3>

Ananya Khaitan | INDIA<\/p><\/td><\/tr>

15:30-16:00<\/td>

How does the visual communication of cigarette warning labels matter? An investigation of the effectiveness of different frames and pictorial warnings labels on cigarette package<\/h3>

Brian Sze Hang Kwok, Gary Kin Yat Tang | HONG KONG<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
16:30-17:00<\/td>

The poster is dead! Long live the poster?<\/h3>

Pavel Pisklakov | RUSSIA<\/p><\/td><\/tr>

17:00-17:30<\/td>

–<\/h3><\/td><\/tr>

18:15-19:15<\/span><\/td>

Opening Keynote<\/span><\/h3>

The decentralised mainstream<\/h3>

Gerry Leonidas | UK<\/p><\/td><\/tr>

20:00<\/span><\/td>WELCOME COCKTAIL<\/span><\/em><\/td><\/tr><\/tbody><\/table>


Hall \u00b7 2<\/span><\/h3>
10:00-10:30<\/td>

\u039f \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2, \u03c9\u03c2 \u03c5\u03bb\u03b9\u03ba\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03ac\u03c5\u03bb\u03bf\u03c2 \u03bf\u03c1\u03af\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03b5\u03ba\u03c6\u03c1\u03ac\u03c3\u03b5\u03c9\u03bd, \u03b5\u03bd\u03c4\u03b1\u03b3\u03bc\u03ad\u03bd\u03c9\u03bd \u03c3\u03b5 \u03c7\u03c9\u03c1\u03bf\u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03c0\u03bb\u03b1\u03af\u03c3\u03b9\u03bf \u03ba\u03bf\u03c5\u03bb\u03c4\u03bf\u03cd\u03c1\u03b1\u03c2<\/span><\/strong><\/h3>

Sofia Strati | GREECE<\/p><\/td><\/tr>

10:30-11:00<\/td>

\u0391\u03bd\u03b1\u03c3\u03c4\u03bf\u03c7\u03b1\u03c3\u03bc\u03cc\u03c2 \u03c3\u03b5 \u03b1\u03bd\u03b1-\u03c0\u03c1\u03bf\u03c3\u03b1\u03c1\u03bc\u03bf\u03c3\u03bc\u03ad\u03bd\u03bf \u03c0\u03b5\u03c1\u03b9\u03b5\u03c7\u03bf\u03bc\u03ad\u03bd\u03bf \u03bf\u03c0\u03c4\u03b9\u03ba\u03ce\u03bd \u03c3\u03c5\u03b3\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd<\/span><\/strong><\/h3>

Iordanis Stylidis | GREECE<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/td><\/tr>
11:30-12:00<\/td>

\u0397 \u03b4\u03b9\u03b1\u03b4\u03c1\u03bf\u03bc\u03ae \u03c4\u03b7\u03c2 \u03c0\u03bf\u03bb\u03c5\u03c3\u03cd\u03bd\u03b8\u03b5\u03c4\u03b7\u03c2 \u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1\u03c2 \u03bc\u03b5 \u03bc\u03ad\u03c3\u03bf\u03bd \u03c4\u03bf animation. \u039c\u03b5\u03bb\u03ad\u03c4\u03b7 \u03c0\u03b5\u03c1\u03af\u03c0\u03c4\u03c9\u03c3\u03b7\u03c2: \u0397 \u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 \u03c4\u03bf\u03c5 \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u00ab\u039a\u03b1\u03bb\u03cd\u03c4\u03b5\u03c1\u03b7 \u0396\u03c9\u03ae\u00bb \u03bc\u03b5 \u03c4\u03b7\u03bd \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03c4\u03b7\u03c2 WWF \u0395\u03bb\u03bb\u03ac\u03b4\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5 \u03a4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u0393\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2, \u03bc\u03b1\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1 \u03ba\u03cd\u03ba\u03bb\u03bf\u03c5 animation<\/span><\/strong><\/h3>

Eleni Mouri | GREECE<\/p><\/td><\/tr>

12:00-12:30<\/td>

Moving Types: T\u03bf \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc \u00ab\u03b5\u03c0\u03b5\u03b9\u03c3\u03cc\u03b4\u03b9\u03bf\u00bb<\/span><\/h3>

Eleni Martini | GREECE<\/p><\/td><\/tr>

12:30-13:00<\/td>

\u0397 \u03c0\u03b1\u03c1\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c3\u03c4\u03b7\u03bd \u03bf\u03c0\u03c4\u03b9\u03ba\u03ae \u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1<\/h3>

Magdalena Papanikolopoulou | GREECE<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/td><\/tr>
14:30-15:00<\/td>

\u0395\u03c0\u03b5\u03be\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 vs \u03c7\u03b5\u03b9\u03c1\u03b1\u03b3\u03ce\u03b3\u03b7\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03b5\u03b9\u03ba\u03cc\u03bd\u03b1\u03c2. \u03a5\u03c0\u03ac\u03c1\u03c7\u03bf\u03c5\u03bd \u03cc\u03c1\u03b9\u03b1;<\/h3>

Ourania Efstathiadou, Chrysoula Gatsou | GREECE<\/p><\/td><\/tr>

15:00-15:30<\/td>

\u0392\u03c1\u03b1\u03c7\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2 \u03c4\u03b7\u03c2 \u039d\u03ac\u03be\u03bf\u03c5: \u039f\u03c0\u03c4\u03b9\u03ba\u03ae \u03b1\u03bd\u03ac\u03bb\u03c5\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03bf\u03c2 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2<\/h3>

Vangelis Hatzitheodorou | GREECE<\/p><\/td><\/tr>

15:30-16:00<\/td>

Time travel branding: \u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2 \u03c4\u03bf\u03c5 \u03c6\u03b1\u03bd\u03c4\u03b1\u03c3\u03b9\u03b1\u03ba\u03bf\u03cd branding \u03c4\u03c9\u03bd
\u03c4\u03bf\u03c5\u03c1\u03b9\u03c3\u03c4\u03b9\u03ba\u03ce\u03bd \u03be\u03b5\u03bd\u03bf\u03b4\u03bf\u03c7\u03b5\u03af\u03c9\u03bd \u039e\u03b5\u03bd\u03af\u03b1<\/h3>

Nikos Georg\u03ccpoulos | UK<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/td><\/tr>
16:30-17:00<\/td>

\u0397 \u03c0\u03b1\u03c1\u03b1\u03c3\u03c4\u03b1\u03c4\u03b9\u03ba\u03ae \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03c3\u03c4\u03b9\u03c2 \u03b5\u03c6\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b5\u03c2<\/h3>

Panos Konstantopoulos, Zoi Katsigianni | GREECE<\/p><\/td><\/tr>

17:00-17:30<\/td>

Ways of visual storytelling in fiction films and their reflection on the book<\/h3>

Ourania Makrygianni | GREECE
Presentation in English<\/em><\/p><\/td><\/tr>

18:15-19:15
<\/span>in Hall – 1<\/span><\/p><\/td>

Opening Keynote<\/span><\/h3>

Gerry Leonidas | UK<\/span><\/p><\/td><\/tr>

20:00<\/span><\/td>WELCOME COCKTAIL<\/span><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a0<\/h3>

Hall \u00b7 1<\/span><\/h3>
09:30-10:00<\/td>

Classless Type: The Past, Present and Future of Typeface Classification Systems<\/h3>

J\u00f6rg Petri | GERMANY<\/p><\/td><\/tr>

10:00-10:30<\/td>

Histories and stories, tools and commodities: Times New Roman and the history of type<\/h3>

Julian Moncada | COLOMBIA<\/p><\/td><\/tr>

10:30-11:00<\/td>

Making revivals today<\/h3>

Artur Frankowski | POLAND<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/em><\/span><\/td><\/tr>
11:30-12:00<\/td>

Greek fallback fonts for the web. A parametric approach<\/h3>

Irene Vlachou | GREECE, Laurence Penney | UK<\/p><\/td><\/tr>

12:00-12:30<\/td>

Character similarity and coherence in typeface design<\/h3>

David B\u0159ezina | CZECHIA<\/p><\/td><\/tr>

12:30-13:00<\/td>

96 = 18<\/h3>

Akiem Helmling | NETHERLANDS<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/em><\/span><\/td><\/tr>
14:30-15:00<\/td>

Font Bakery: Improving quality at scale<\/h3>

Lasse Fister | GERMANY<\/p><\/td><\/tr>

15:00-15:30<\/td>

Typojis; a few more glyphes<\/h3>

Walter Bohatsch | AUSTRIA<\/p><\/td><\/tr>

15:30-16:00<\/td>

TYPuzzle \u2013 A physical typographic game<\/h3>

Ian Mitchell | UK<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/em><\/span><\/td><\/tr>
16:30-17:00<\/td>

The rebranding of the National Library of Greece<\/h3>

Dimitris Papazoglou, George Triantafyllakos, George Matthiopoulos | GREECE<\/p><\/td><\/tr>

17:00-17:30<\/td>–<\/td><\/tr>
17:30-19:30<\/span><\/td>Visit to the ARCHAEOLOGICAL MUSEUM of PATRAS<\/span><\/td><\/tr><\/tbody><\/table>

\u00a0<\/h3>

Hall \u00b7 2<\/span><\/h3>
09:30-10:00<\/td>

Authenticating typography in cultural festival brand marks<\/h3>

Tonya Meyrick | AUSTRALIA<\/p><\/td><\/tr>

10:00-10:30<\/td>

How to use visual language to effectively influence people\u2019s social concepts.
Based on the research: how to use visual means to enhance fertility willingness of people from \u201cone-child family\u201d<\/h3>

Liuchuan Wang | CHINA<\/p><\/td><\/tr>

10:30-11:00<\/td>

Going beyond the visual \u2013 an inclusive communication design method for transit spaces<\/h3>

Shalini Sahoo | UK<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/em><\/span><\/td><\/tr>
11:30-12:00<\/td>

Challenging designed paths: The past (but still present) visual representation of \u2018other\u2019 upon America\u2019s commercial corridors<\/h3>

Louise J.I. McWhinnie | AUSTRALIA<\/p><\/td><\/tr>

12:00-12:30<\/td>

Challenging design with death<\/h3>

Petra \u010cerne Oven, Barbara Predan | SLOVENIA<\/p><\/td><\/tr>

12:30-13:00<\/td>

Where design thinking meets co-design<\/h3>

Chrysoula Gatsou, Elisabeth Georgiadou | GREECE<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/em><\/span><\/td><\/tr>
14:30-15:00<\/td>

Unfiltered neon dream: Reno\u2019s interconnected economic, sociopolitical, and typographic legacies<\/h3>

Katherine Hepworth | USA<\/p><\/td><\/tr>

15:00-15:30<\/td>

Chinese square dancing: a new design approach for a traditional activity<\/h3>

Michail Semoglou | CHINA, Stelios Zygouris | GREECE, Minghao Cao | CHINA<\/p><\/td><\/tr>

15:30-16:00<\/td>

The connection of visual design of board games and customers\u2019 purchasing desire<\/h3>

Wen-Chia Wang | TAIWAN<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/em><\/span><\/td><\/tr>

16:30-17:00
in Hall – 1<\/strong><\/span><\/p><\/td>

The rebranding of the National Library of Greece<\/span><\/h3>

Dimitris Papazoglou, George Triantafyllakos, George Matthiopoulos | GREECE<\/span><\/p><\/td><\/tr>

17:00-17:30<\/td>–<\/td><\/tr>
17:30-19:30<\/span><\/td>Visit to the ARCHAEOLOGICAL MUSEUM of PATRAS<\/span><\/td><\/tr><\/tbody><\/table>


Hall \u00b7 3<\/span><\/h3>
14:30-16:30
session in Greek<\/span><\/strong><\/span><\/td>

Greek Graphic Design History session<\/span><\/strong><\/span><\/h3>

\u00a0<\/h3>

In search for a local narrative: history of graphic design in Greece<\/b><\/h3>

Niki Sioki | CYPRUS<\/p>

\u00ab\u0394\u03b9\u03b1\u03c4\u03af \u03b5\u03ba\u03b4\u03b9\u03b4\u03cc\u03bc\u03b5\u03b8\u03b1\u00bb<\/h3>

Evangelos Kassavetis | GREECE<\/p>

\u03a3\u03c5\u03c3\u03ba\u03b5\u03c5\u03b1\u03c3\u03af\u03b1 \u03ba\u03b1\u03b9 \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae<\/h3>

Efrosyni Roupa | GREECE<\/p>

\u0393\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae, \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1, \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1: \u03a4\u03bf \u039c\u03bf\u03c5\u03c3\u03b5\u03af\u03bf \u03a4\u03c5\u03c0\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u0393\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0399\u03c9\u03b1\u03bd\u03bd\u03af\u03bd\u03c9\u03bd<\/b><\/h3>

Giorgos Vlachos, George Matthiopoulos | GREECE<\/p>

Is there any there there?<\/h3>

Kostas Vlachakis, Joshua Olsthoorn | GREECE<\/p>

How to write design history from the margins? A methodological approach to the study of graphic design history in Greece<\/h3>

Marina Emmanouil | BELGIUM<\/p>

Discussion<\/h3><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFriday 21<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

\u00a0<\/h3>

Hall \u00b7 1<\/span><\/h3>
09:30-10:00<\/td>

Commoning practices: Art, design, technology and maker cultures<\/h3>

Evanthia Tselika | CYPRUS<\/p><\/td><\/tr>

10:00-10:30<\/td>

Preserving the digital infrastructure of visual communication<\/h3>

Alexios Zavras | GERMANY<\/p><\/td><\/tr>

10:30-11:00<\/td>

Augmented reality and new possibilities in the field of typography<\/h3>

Anna Meli | GREECE<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
11:30-12:00<\/td>

Breaking assumptions in design education: Reflections on teaching information design to non-designers<\/h3>

Sheila Pontis | USA<\/p><\/td><\/tr>

12:00-12:30<\/td>

In restless aesthetic pursuit: Recontextualizing typography<\/h3>

Maria Bohannon | USA<\/p><\/td><\/tr>

12:30-13:00<\/td>

Migrating design education<\/h3>

Katerina Antonaki | GREECE, Ewa Satalecka | POLAND<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/em><\/span><\/td><\/tr>
14:30-15:00<\/td>

The rhetoric of typefaces for the new visual age<\/h3>

Irma Puskarevic | SERBIA<\/p><\/td><\/tr>

15:00-15:30<\/td>

Challenging legibility: do harder to read typefaces create a \u2018desirable difficulty\u2019?<\/h3>

Mary Dyson | UK<\/p><\/td><\/tr>

15:30-16:00<\/td>

Perception of typography and colour influenced by screen size<\/h3>

Nace Pu\u0161nik, Anja Podlesek, Klementina Mo\u017eina | SLOVENIA<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
16:30-17:00<\/td>

The art of productivity in digital advertising<\/h3>

Eteoklis Papanastasiou | CYPRUS<\/p><\/td><\/tr>

17:30-18:00<\/td>–<\/td><\/tr>
18:15-19:15<\/span><\/td>

Keynote<\/span><\/h3>

The end of structure<\/h3>

Neville Brody | UK<\/p><\/td><\/tr>

20:30<\/span><\/td>ICTVC CLOSING EVENT<\/em><\/span><\/td><\/tr><\/tbody><\/table>

\u00a0<\/h3>

Hall \u00b7 2<\/span><\/h3>
09:30-10:00<\/td>

Moveable types for music notation and its implications in contemporary non-linear typesetting<\/h3>

Emilio Grazzi | ITALY<\/p><\/td><\/tr>

10:00-10:30<\/td>

Tibetan musical notation: a unique visual representation<\/h3>

Jo De Baerdemaeker | BELGIUM<\/p><\/td><\/tr>

10:30-11:00<\/td>

Lack of visual excellence in design quality of bi-script typefaces including Arabic and Latin scripts<\/h3>

Sahar Khajeh | UK<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
11:30-12:00<\/td>

Bilingual typography in the Arab world. A structural framework for an Arabic-Latin bilingual application<\/h3>

SYara Khoury Nammour | LEBANON<\/p><\/td><\/tr>

12:00-12:30<\/td>

–<\/p><\/td><\/tr>

12:30-13:00<\/td>

Women\u2019s image in advertising in the modern Arab world<\/h3>

Belal Herbawi | PALESTINE<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/em><\/span><\/td><\/tr>
14:30-15:00<\/td>

How simplified is simplified Arabic type? A 19th century attempt to challenge the conventions of Ottoman naskh<\/h3>

Onur Yaz\u0131c\u0131gil, \u00d6zlem \u00d6zkal | TURKEY<\/p><\/td><\/tr>

15:00-15:30<\/td>

Towards a methodological approach for Karamanlidika manuscripts<\/h3>

Stelios Irakleous | CYPRUS<\/p><\/td><\/tr>

15:30-16:00<\/td>

Reading Erotokritos<\/em>: The printed book as novelty, luxury, and inspiration<\/h3>

Artemis Yagou | GERMANY<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
16:30-17:30<\/span><\/td>

Letterpress education session<\/span><\/h3>

\u00a0<\/h3>

Letterpress typography in a digital design world: Student perspectives<\/h3>

Judith Moldenhauer | USA
Ciondra Brown, Claudia Colin-Chavez, Matthew Holben | USA<\/p><\/td><\/tr>

17:30-18:00<\/td>–<\/td><\/tr>
18:15-19:15<\/span>
in Hall – 1<\/strong><\/span><\/td>

Keynote <\/span><\/h3>

Neville Brody | UK<\/span><\/p><\/td><\/tr>

20:30<\/span><\/td>ICTVC CLOSING EVENT<\/em><\/span><\/td><\/tr><\/tbody><\/table>

\u00a0<\/h3>

Hall \u00b7 3<\/span><\/h3>
10:00-13:00<\/span><\/td>

Graphic Arts Technology session<\/span><\/h3>

\u00a0<\/span><\/h3><\/td><\/tr>

10:00-10:30<\/td>

Flexography printing trial for printing electronics with graphene ink: Studies on printing parameters<\/h3>

Georgios Vlachopoulos, Dimitra Mentesidou, Vasilis Georgakilas, Vassiliki Belessi | GREECE<\/p><\/td><\/tr>

10:30-11:00<\/td>

Photoluminescent CDs Inks: a new approach for the printing industry<\/h3>

Apostolos Koutsioukis, Vassiliki Belessi, Vasilios Georgakilas | GREECE<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
11:30-12:00<\/td>

\u0397 \u03b1\u03c0\u03ae\u03c7\u03b7\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03bd\u03b1\u03bd\u03bf\u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u03c3\u03c4\u03b7\u03bd \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c4\u03c9\u03bd \u0393\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd<\/h3>

Vassiliki Belessi | GREECE<\/p><\/td><\/tr>

12:00-12:30<\/td>

\u039c\u03b5 \u03c4\u03bf \u03b2\u03bb\u03ad\u03bc\u03bc\u03b1 \u03c3\u03c4\u03c1\u03b1\u03bc\u03bc\u03ad\u03bd\u03bf \u03c3\u03c4\u03bf \u03bc\u03ad\u03bb\u03bb\u03bf\u03bd: \u0395\u03ba\u03c4\u03af\u03bc\u03b7\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03ba\u03cd\u03ba\u03bb\u03bf\u03c5 \u03b6\u03c9\u03ae\u03c2 \u03c5\u03bb\u03b9\u03ba\u03ce\u03bd \u03ba\u03b1\u03c4\u03ac \u03c4\u03bf\u03bd \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03ba\u03b1\u03c4\u03b1\u03c3\u03ba\u03b5\u03c5\u03ae \u03bd\u03ad\u03c9\u03bd \u03c0\u03c1\u03bf\u03ca\u03cc\u03bd\u03c4\u03c9\u03bd \u03b3\u03b9\u03b1 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b5\u03c2 \u03b5\u03c6\u03b1\u03c1\u03bc\u03bf\u03b3\u03ad\u03c2 \u03c4\u03c9\u03bd \u03b5\u03ba\u03c4\u03c5\u03c0\u03ce\u03c3\u03b5\u03c9\u03bd<\/h3>

Eleni Kalaitzi, Stamatina Theochari | GREECE<\/p><\/td><\/tr>

12:30-13:00<\/td>

\u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2 \u03c3\u03c5\u03c3\u03ba\u03b5\u03c5\u03b1\u03c3\u03af\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03b5\u03b9\u03c6\u03bf\u03c1\u03af\u03b1<\/h3>

Ainta Michailidou, Stamatina Theochari, Stamatia Gogou, Theodosia Thanopoulou | GREECE<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/em><\/span><\/td><\/tr>
14:30-17:30<\/span><\/td>

Intellectual Property Basics for visual communication content creators | Workshop<\/span>
<\/span><\/strong><\/h3>

Alexios Zavras | GERMANY<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/em><\/span><\/td><\/tr>
18:15-19:15
<\/span>in Hall – 1<\/span><\/strong><\/td>

Keynote<\/span><\/h3>

Neville Brody | UK<\/span><\/p><\/td><\/tr>

20:30<\/span><\/td>ICTVC CLOSING EVENT<\/em><\/span><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Challenging design paths ICTVC 7 \u00b7 Patras, Greece \u00b7 19 \u2014 21 June 2019 Programme Please, note that this draft is subject to change and will be continuously updated. A pdf version of the full programme will be made available in June 2019. Main Conference Wednesday 19 \u00a0 Hall \u00b7 1 08:30-09:30 REGISTRATION 09:30-09:45 09:45-10:00 … Continue reading “Programme”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":436,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"_links":{"self":[{"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/pages\/1335"}],"collection":[{"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/comments?post=1335"}],"version-history":[{"count":124,"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/pages\/1335\/revisions"}],"predecessor-version":[{"id":2154,"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/pages\/1335\/revisions\/2154"}],"up":[{"embeddable":true,"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/pages\/436"}],"wp:attachment":[{"href":"https:\/\/ictvc.org\/2019\/wp-json\/wp\/v2\/media?parent=1335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}