{"id":1335,"date":"2018-12-27T14:30:37","date_gmt":"2018-12-27T12:30:37","guid":{"rendered":"https:\/\/ictvc.org\/2019\/?page_id=1335"},"modified":"2022-08-25T13:12:02","modified_gmt":"2022-08-25T10:12:02","slug":"programme","status":"publish","type":"page","link":"https:\/\/ictvc.org\/2022\/en\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\t\t
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Beyond the obvious\u200b<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ICTVC 8<\/b> \u00b7 Thessaloniki, Greece \u00b7 5 \u2014 9 July 2022<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Programme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Please, note that this draft is subject to change<\/strong> and will be continuously updated. A pdf version of the full programme will be made available in June 2019.<\/span><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"\"<\/a><\/p>

Abstracts<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"<\/a><\/p>

Programme<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Main Conference<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tThursday 7<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

\u00a0<\/h3>

Hall \u00b7 1<\/span><\/h3>
08:15-09:00<\/span><\/td>REGISTRATION<\/span>
<\/em><\/td><\/tr>
09:00-09:20<\/span><\/td>

Welcome message<\/span><\/em><\/h3>

The 8th ICTVC 2022<\/h3>

Klimis Mastoridis<\/p><\/td><\/tr>

09:30-10:00<\/td>

Questioning the obvious: different ways of seeing<\/h3>

David B\u0159ezina | CZECHIA, Mary Dyson | UK<\/p><\/td><\/tr>

10:00-10:30<\/td>

Beyond the Stroke<\/h3>

Filip Paldia, Samuel \u010carnok\u00fd | SLOVAKIA<\/p><\/td><\/tr>

10:30-11:00<\/td>

Inside the letter<\/h3>

Akiem Helmling, Bas Jacobs, Sami Kortem\u00e4ki\u00a0| NETHERLANDS<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/td><\/tr>
11:30-12:00<\/td>

Variable font design tradeoffs<\/h3>

Thomas Phinney | USA<\/p><\/td><\/tr>

12:00-12:30<\/td>

Type design as a tool for transformation. Typecraft project<\/h3>

Andreu Balius | SPAIN<\/p><\/td><\/tr>

12:30-13:00<\/td>

The design of the (type) design process<\/h3>

Petr van Blokland | NETHERLANDS<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/td><\/tr>
14:30-15:00<\/td>

Hyperglot \u2013 a database and tools for discovering language support in fonts<\/h3>

David B\u0159ezina | CZECHIA<\/p><\/td><\/tr>

15:00-15:30<\/td>

Towards a comprehensive definition of font engineering<\/h3>

Rosalie Wagner | GERMANY<\/p><\/td><\/tr>

15:30-16:00<\/td>

Exploring the beliefs and biases of scientists and designers when interpreting research findings<\/h3>

Ann Bessemans | BELGIUM, Mary Dyson | UK<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/td><\/tr>
16:30-17:00<\/td>

A framework for type revivals<\/h3>

Riccardo Olocco, Michele Patan\u00e8, Gerry Leonidas | UK<\/p><\/td><\/tr>

17:00-17:30<\/td>

Phonological experiments through history. The bridge between societal reading struggles and type design<\/h3>

Walda Verbaenen, Ann Bessemans | BELGIUM<\/p><\/td><\/tr>

17:30-18:00<\/td>–<\/td><\/tr>
18:30-19:30<\/span><\/td>

Opening Keynote<\/span><\/h3>

Facets of the Jewish printing tradition in Thessaloniki. Books and printers<\/h3>

Evanghelos Hekimoglou | GREECE<\/p><\/td><\/tr>

20:00<\/span><\/td>WELCOME COCKTAIL and TOLERANCE poster exhibition opening | \u03a1\u03a9 Art Space<\/span>
<\/span><\/em><\/td><\/tr><\/tbody><\/table>


Hall \u00b7 2<\/span><\/h3>
09:30-10:00<\/td>

\u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2 \u03c3\u03c5\u03c3\u03ba\u03b5\u03c5\u03b1\u03c3\u03af\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03c6\u03cd\u03bb\u03bf – \u03a5\u03c0\u03b5\u03c1\u03b2\u03b1\u03af\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b1 \u03ad\u03bc\u03c6\u03c5\u03bb\u03b1 \u03c3\u03c4\u03b5\u03c1\u03b5\u03bf\u03c4\u03c5\u03c0\u03b9\u03ba\u03ac \u03c3\u03c4\u03bf\u03b9\u03c7\u03b5\u03af\u03b1 \u03c3\u03c4\u03bf\u03bd \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03c4\u03b7\u03c2 \u03c3\u03c5\u03c3\u03ba\u03b5\u03c5\u03b1\u03c3\u03af\u03b1\u03c2<\/h3>

Eleni Moschandreou, Elissavet Georgiadou | GREECE<\/p><\/td><\/tr>

10:00-10:30<\/td>

\u03a0\u03c1\u03cc\u03c4\u03c5\u03c0\u03b1 \u03ba\u03b1\u03b9 \u03b1\u03bd\u03c4\u03af-\u03c0\u03c1\u03cc\u03c4\u03c5\u03c0\u03b1 \u03c3\u03c4\u03b7\u03bd \u03b5\u03c5\u03c6\u03c5\u03ae \u03c3\u03c5\u03c3\u03ba\u03b5\u03c5\u03b1\u03c3\u03af\u03b1: \u0391\u03bb\u03bb\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b1 \u03c3\u03c4\u03b5\u03c1\u03b5\u03cc\u03c4\u03c5\u03c0\u03b1 \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7<\/h3>

Kyriaki Varvalouka, Vasiliki Sarakatsianou, Rossetos Metzitakos | GREECE<\/p><\/td><\/tr>

10:30-11:00<\/td>

\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b5\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b9\u03c2 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03b1\u03c0\u03b5\u03b9\u03ba\u03bf\u03bd\u03af\u03c3\u03b5\u03b9\u03c2 \u03c3\u03c4\u03b1\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ce\u03bd \u03b4\u03b5\u03b4\u03bf\u03bc\u03ad\u03bd\u03c9\u03bd<\/h3>

Eleni Martini | GREECE<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/td><\/tr>
11:30-12:00<\/td>

\u0395\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 \u03c3\u03b5 \u03b1\u03c3\u03c4\u03b9\u03ba\u03ac \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1: \u03ad\u03c1\u03b3\u03b1 \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2, \u03ba\u03b9\u03bd\u03b7\u03c4\u03ad\u03c2 \u03b5\u03b3\u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03ac\u03c3\u03b5\u03b9\u03c2 \u03ba\u03b1\u03b9 \u03bf\u03c5\u03c4\u03bf\u03c0\u03b9\u03ba\u03ad\u03c2 \u03b1\u03bd\u03b1\u03ba\u03b1\u03c4\u03b1\u03c3\u03ba\u03b5\u03c5\u03ad\u03c2 \u03c3\u03c4\u03bf \u03b4\u03b7\u03bc\u03cc\u03c3\u03b9\u03bf \u03c7\u03ce\u03c1\u03bf \u03c4\u03b7\u03c2 \u03c0\u03cc\u03bb\u03b7\u03c2<\/h3>

Apostolos Kordas, Sofia Strati | GREECE<\/p><\/td><\/tr>

12:00-12:30<\/td>

\u03a7\u03ac\u03c1\u03c4\u03b7\u03c2 \u03b5\u03c0\u03b1\u03c5\u03be\u03b7\u03bc\u03ad\u03bd\u03b7\u03c2 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03c0\u03c1\u03bf\u03b2\u03bf\u03bb\u03ae \u03c4\u03b7\u03c2 \u03c0\u03cc\u03bb\u03b7\u03c2 \u03c4\u03b7\u03c2 \u039a\u03bf\u03bc\u03bf\u03c4\u03b7\u03bd\u03ae\u03c2<\/h3>

Irene Pitatzi, Elissavet Georgiadou | GREECE<\/p><\/td><\/tr>

12:30-13:00<\/td>

Branding \u03ba\u03b1\u03b9 \u03bf\u03c0\u03c4\u03b9\u03ba\u03ae \u03c4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b1 \u03b5\u03bd\u03cc\u03c2 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u03cd\u03c2 \u03c3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5<\/h3>

Angeliki Athanasiadi | CYPRUS<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/td><\/tr>
14:30-15:00<\/td>

\u03a0\u03c1\u03b9\u03bd \u03c4\u03bf \u00ab\u03c4\u03c5\u03c0\u03c9\u03b8\u03ae\u03c4\u03c9\u00bb. \u0391\u03c1\u03c7\u03b5\u03af\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03c4\u03c5\u03c0\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03bf\u03c0\u03c4\u03b9\u03ba\u03ae \u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 \u03c3\u03c4\u03bf \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc \u039b\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03ba\u03b1\u03b9 \u0399\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03cc \u0391\u03c1\u03c7\u03b5\u03af\u03bf \u03ba\u03b1\u03b9 \u03b7 \u03c0\u03b5\u03c1\u03af\u03c0\u03c4\u03c9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b1\u03c1\u03c7\u03b5\u03af\u03bf\u03c5 \u03c4\u03bf\u03c5 \u039a\u03ac\u03c1\u03bf\u03bb\u03bf\u03c5 \u03a4\u03c3\u03af\u03b6\u03b5\u03ba<\/h3>

Yorgos Koumaridis | GREECE<\/p><\/td><\/tr>

15:00-15:30<\/td>

\u039c\u03ae\u03c0\u03c9\u03c2 \u03b4\u03b5\u03bd \u03ad\u03c7\u03bf\u03c5\u03bc\u03b5 \u03c4\u03b5\u03bb\u03b5\u03b9\u03ce\u03c3\u03b5\u03b9 \u03bc\u03b5 \u03c4\u03bf \u03c0\u03b1\u03c1\u03b5\u03bb\u03b8\u03cc\u03bd; \u0399\u03c7\u03bd\u03b7\u03bb\u03b1\u03c4\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b9\u03c2 \u03b1\u03c0\u03b1\u03c1\u03c7\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 (\u03c4\u03ad\u03bb\u03b7 19\u03bf\u03c5\u2013\u03b1\u03c1\u03c7\u03ad\u03c2 20\u03bf\u03cd \u03b1\u03b9\u03ce\u03bd\u03b1)<\/h3>

Niki Sioki | CYPRUS<\/p><\/td><\/tr>

15:30-16:00<\/td>

\u0397 \u03b1\u03bd\u03b1\u03bd\u03ad\u03c9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03b5\u03b9\u03ba\u03bf\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03b7\u03bc\u03ad\u03bd\u03bf\u03c5 \u03b2\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u03ba\u03b1\u03c4\u03ac \u03c4\u03b7 \u03bc\u03b5\u03c4\u03b1\u03c0\u03bf\u03bb\u03b9\u03c4\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae \u03c0\u03b5\u03c1\u03af\u03bf\u03b4\u03bf \u03c4\u03b7\u03c2 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1\u03c2<\/h3>

Ioanna Delfino | GREECE<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/td><\/tr>
16:30-17:00<\/td>

\u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03bf\u03c3\u03b5\u03b9\u03c1\u03ad\u03c2 \u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03bf\u03c5 \u03c3\u03c4\u03b9\u03c2 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ad\u03c2 \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03b1\u03c0\u03cc \u03c4\u03bf 1980 \u03ad\u03c9\u03c2 \u03c3\u03ae\u03bc\u03b5\u03c1\u03b1. \u03a3\u03c4\u03b1\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03b1\u03bd\u03ac\u03bb\u03c5\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03c0\u03bf\u03b9\u03bf\u03c4\u03b9\u03ba\u03ac \u03c3\u03c5\u03bc\u03c0\u03b5\u03c1\u03ac\u03c3\u03bc\u03b1\u03c4\u03b1 \u03b1\u03c0\u03cc \u03bc\u03af\u03b1 \u03b4\u03b5\u03b9\u03b3\u03bc\u03b1\u03c4\u03bf\u03bb\u03b7\u03c0\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae<\/h3>

George Triantafyllakos | GREECE<\/p><\/td><\/tr>

17:00-17:30<\/td>

Metatrash<\/h3>

Evangelos Kassavetis | GREECE<\/p><\/td><\/tr>

17:30-18:00<\/td>

\u03a4\u03bf \u03c4\u03ad\u03bb\u03bf\u03c2 \u03c4\u03bf\u03c5 \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03bf\u03cd \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd<\/h3>

Vangelis Hatzitheodorou | GREECE<\/p><\/td><\/tr>

18:30-19:30
<\/span>in Hall – 1<\/b><\/span><\/td>

Opening Keynote<\/span><\/h3>

Evanghelos Hekimoglou | GREECE<\/span><\/p><\/td><\/tr>

20:00<\/span><\/td>WELCOME COCKTAIL and TOLERANCE Poster exhibition opening | \u03a1\u03a9 Art Space
<\/span><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFriday 8<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

\u00a0<\/h3>

Hall \u00b7 1<\/span><\/h3>
09:30-10:00<\/td>

Quality criteria for typographic design and editorial production of school textbooks<\/h3>

Evangelos Syrigos, Yannis Skarpelos | GREECE, Evripides Zantides | CYPRUS<\/p><\/td><\/tr>

10:00-10:30<\/td>

Digital visual communication of Greek trade publishers<\/h3>

Christos Mais, Panagiotis Kapos | GREECE<\/p><\/td><\/tr>

10:30-11:00<\/td>

The current landscape of Greek typographic design: A study on the work and views of Greek designers and academics<\/h3>

Panagiota Sakellariou, Elissavet Georgiadou | GREECE<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/span><\/td><\/tr>
11:30-12:00<\/td>

Non legitur, Graecum est<\/h3>

Irene Vlachou | GREECE, Matthieu Cortat-Roller | SWITZERLAND<\/p><\/td><\/tr>

12:00-12:30<\/td>

What\u2019s in a name? The Elzevir vs Times Greek conundrum<\/h3>

Georgios Matthiopoulos | GREECE<\/p><\/td><\/tr>

12:30-13:00<\/td>

Antigone\u2019s adventures in Greece and Russia<\/h3>

Alexandra Korolkova | RUSSIA<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/span><\/td><\/tr>
14:30-15:00<\/td>

Between rupture and the promise of suture: the role of publishing in the politics of repatriation. The claims of the Greek political refugees in Pyrsos<\/em> magazine, 1961-1968<\/h3>

Mary Ikoniadou | UK<\/p><\/td><\/tr>

15:00-15:30<\/td>

Forbidden typography from a ghost town<\/h3>

Penelope Philotheou | CYPRUS<\/p><\/td><\/tr>

15:30-16:00<\/td>

Fake novelties? Product labels and other curiosities<\/h3>

Artemis Yagou | GERMANY<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/span><\/td><\/tr>
16:30-18:00<\/span><\/td>

Thessaloniki Graphic Design and Politics | in Greek<\/em><\/span><\/h3>

No Politica<\/em> screening and discussion with the filmmakers and participants<\/strong><\/h3>

Nikos Giuris, Giorgos Ikonomou [filmmakers] and Vangelis Liakos (Beetroot Design Group), Angelos Bakas, Dimitris Papazoglou (DpS Athens), Pericles Pilides (Pilides Advertising) [participants]<\/p><\/td><\/tr>

20:00<\/span><\/td>

Druckmaschinenmusik, The Event | Printing Shop Asterios Ch. Goussios<\/span><\/h3><\/td><\/tr><\/tbody><\/table>

Hall \u00b7 2<\/span><\/h3>
09:30-10:00<\/td>

Leveraging Singaporean food culture as a creative catalyst for typeface design<\/h3>

Lisa Winstanley, Hairul Latiff | SINGAPORE<\/p><\/td><\/tr>

10:00-10:30<\/td>

The Good, the bad and the ugly of Logotype or how to design with negative space in mind!<\/h3>

Ralph Kenke | AUSTRALIA<\/p><\/td><\/tr>

10:30-11:00<\/td>

The Red Wok: A visual analysis of European Chinatown restaurant signage that contributes to their gastronomic identity<\/h3>

Kok Cheow Yeoh | USA<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/span><\/td><\/tr>
11:30-12:00<\/td>

World Typography Map project<\/h3>

Nace Pu\u0161nik | SLOVENIA, Jeff Pulaski, Irma Pu\u0161karevi\u0107 | USA<\/p><\/td><\/tr>

12:00-12:30<\/td>

Hong Kong Graphic Archive: Connecting the past and the present<\/h3>

Kaman Ka Man Tsang, Keith Tam | HONG KONG<\/p><\/td><\/tr>

12:30-13:00<\/td>

George Simonis Archive \/ Cyprus\u2019 \u201ctwo cents\u201d on graphic design<\/h3>

Omiros Panayides | CYPRUS<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/span><\/td><\/tr>
14:30-15:00<\/td>

Auriol before and after the Great War<\/h3>

Craig Eliason | USA<\/p><\/td><\/tr>

15:00-15:30<\/td>

Typo Belgi\u00ebque: reviving typefaces of undiscovered Belgian typefoundries<\/h3>

Jo De Baerdemaeker | BELGIUM<\/p><\/td><\/tr>

15:30-16:00<\/td>

Writing the ending: the disintegration of the Soviet Union and Yugoslavia and the politics of language and script<\/h3>

John Hudson | CANADA<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/span><\/td><\/tr>
16:30-17:00<\/td>

The Kaminaria ledger: an uknown Karamanlidika source<\/h3>

Stelios Irakleous | CYPRUS<\/p><\/td><\/tr>

17:00-17:30<\/td>

Turkish Alphabet Reform as a disruption in public life: typographic transformation of urban spaces<\/h3>

Dilek Nur Polat \u00dcns\u00fcr | TURKEY<\/p><\/td><\/tr>

17:30-18:00<\/td>

Towards a research framework for the South Slavic typographic heritage<\/h3>

Irma Puskarevic, Gerry Leonidas | UK<\/p><\/td><\/tr>

16:30-18:00
<\/span>in Hall – 1<\/b><\/span><\/td>

Thessaloniki Graphic Design and Politics | in Greek<\/em><\/span><\/h3><\/td><\/tr>

20:00<\/span><\/td>

Druckmaschinenmusik, The Event | Printing Shop Asterios Ch. Goussios<\/span><\/h3><\/td><\/tr><\/tbody><\/table>


Hall \u00b7 3<\/span><\/h3>
09:30-10:00<\/td>

A new perspective on the history and (experimental research) practices of index-typography<\/strong><\/h3>

Janneke Johanna Janssen, Ann Bessemans | BELGIUM<\/p><\/td><\/tr>

10:00-10:30<\/td>

Pictograms for patients: two case studies<\/h3>

Karel van der Waarde | BELGIUM<\/p><\/td><\/tr>

10:30-11:00<\/td>

Visual communication in a time of crisis: Insights into the relationship between visual communication and health<\/h3>

Victoria Squire | UK<\/p><\/td><\/tr>

11:00-11:30<\/span><\/td>COFFEE BREAK<\/span><\/span><\/td><\/tr>
11:30-12:00<\/td>

The design of paragraphs: Contextual indent paragraph setting<\/h3>

Fraser Muggeridge | UK<\/p><\/td><\/tr>

12:00-12:30<\/td>

Reading direction vs reading time in road signage design policies. TARRA-GONA a case study.<\/h3>

Elena Bartomeu Maga\u00f1a | SPAIN<\/p><\/td><\/tr>

12:30-13:00<\/td>

Typography to bring auditory cues to readers that cannot hear to improve their comprehension<\/h3>

Ann Bessemans | BELGIUM, Mar\u00eda P\u00e9rez Mena | SPAIN<\/p><\/td><\/tr>

13:00-14:30<\/span><\/td>LUNCH BREAK<\/span><\/span><\/td><\/tr>
14:30-15:00<\/td>

Looking at women. Female representation in Charles Mozley\u2019s work<\/h3>

C\u0103t\u0103lina Zlotea | UK<\/p><\/td><\/tr>

15:00-15:30<\/td>

Designing for posterity: The printed book as cultural guardian<\/h3>

Maria Nicholas | USA<\/p><\/td><\/tr>

15:30-16:00<\/td>

A passion for symbols: tracing the inspirations behind the design and production of Henry Dreyfuss\u2019 Symbol Sourcebook<\/h3>

Sue Perks | UK<\/p><\/td><\/tr>

16:00-16:30<\/span><\/td>COFFEE BREAK<\/span><\/span><\/td><\/tr>
16:30-18:00
<\/span>in Hall – 1<\/b><\/span><\/td>

Thessaloniki Graphic Design and Politics | in Greek<\/em><\/span><\/h3><\/td><\/tr>

20:00<\/span><\/td>

Druckmaschinenmusik, The Event | Printing Shop Asterios Ch. Goussios<\/span><\/h3><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSaturday 9<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

<\/h3>\n

Hall \u00b7 1<\/span><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
09:30-10:00<\/td>\n\n

Visual communication of images on Croatian news portals during the Covid-19 crisis<\/h3>\nJosipa Selthofer, Martina Bembi\u0107 Sergo | CROATIA<\/td>\n<\/tr>\n

10:00-10:30<\/td>\n\n

Maps of un-obvious Disruptions. The transition of a project through the pandemic using new research spaces and digital outcomes to see beyond the obvious<\/h3>\nSayali Milind Phadke | INDIA<\/td>\n<\/tr>\n

10:30-11:00<\/td>\n\n

A comparative study on online health poster campaigns during the pandemic launched in China and the Netherlands<\/h3>\nLiuchuan Wang | CHINA<\/td>\n<\/tr>\n

11:00-11:30<\/span><\/td>\nCOFFEE BREAK<\/span><\/td>\n<\/tr>\n
11:30-12:00<\/td>\n\n

\u201cThe sign is mine\u201d: democratising design in times of disruption<\/h3>\nJosefina Bravo | UK, Sol Kawage | ITALY<\/td>\n<\/tr>\n

12:00-12:30<\/td>\n\n

Isotype debated: two researchers on its influence on pictogram and icon development<\/h3>\nWibo Bakker | CHINA, Sue Perks | UK<\/td>\n<\/tr>\n

12:30-13:00<\/td>\n\n

Icons and symbols in the time of Pandemic: From concrete to abstract<\/h3>\nChrysoula Gatsou, Evangelia Pavlaki | GREECE<\/td>\n<\/tr>\n

13:00-14:30<\/span><\/td>\nLUNCH BREAK<\/span><\/td>\n<\/tr>\n
14:30-15:00<\/td>\n\n

Climate Design Activism: Lessons from environmental pioneers of the late 60s and 70s<\/h3>\nMaria Bohannon | USA<\/td>\n<\/tr>\n

15:00-15:30<\/td>\n\n

Freeing Liberty through information design<\/h3>\nEmily Allbon, Rachel Warner | UK<\/td>\n<\/tr>\n

15:30-16:00<\/td>\n\n

Grabbing COVID by the horns: Finding inspiration during the pandemic lockdown<\/h3>\nLeila Hernandez | USA<\/td>\n<\/tr>\n

16:00-16:30<\/span><\/td>\nCOFFEE BREAK<\/span><\/td>\n<\/tr>\n
16:30-17:00<\/td>\n\n

–<\/h3>\n<\/td>\n<\/tr>\n

17:00-17:30<\/td>\n\n

–<\/h3>\n<\/td>\n<\/tr>\n

18:00-19:00<\/span><\/td>\n\n

Keynote<\/span><\/h3>\n

8th ICTVC Closing speech<\/h3>\nNeville Brody | UK<\/td>\n<\/tr>\n

20:30<\/span><\/td>\n8th ICTVC “Let’s talk about it over dinner” | Registered delegates\n<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h3>\n

Hall \u00b7 2<\/span><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
09:30-10:00<\/td>\n\n

The \u201cSappho 2.0\u201d exhibition. Converting a physical exhibition design concept into digital<\/h3>\nAnastasia Chourmouziadi, Elisavet Kelidou | GREECE<\/td>\n<\/tr>\n

10:00-10:30<\/td>\n\n

Error is the new Culture. Visual and textual triggers, create new meanings!<\/h3>\nCostas Mantzalos | CYPRUS<\/td>\n<\/tr>\n

10:30-11:00<\/td>\n\n

Sunny Side Up: A \u201clockdown\u201d stop motion animation film<\/h3>\nPaschalis Paschalis, Marios Adonis | CYPRUS<\/td>\n<\/tr>\n

11:00-11:30<\/span><\/td>\nCOFFEE BREAK<\/span><\/td>\n<\/tr>\n
11:30-12:00<\/td>\n\n

Double Disruption: The typographic library through a pandemic renovation<\/h3>\nAmelia Fontanel, Shani Avni | USA<\/td>\n<\/tr>\n

12:00-12:30<\/td>\n\n

The Pandemic Effect: Challenges of teaching the invisible student<\/h3>\nMandar Rane, Purba Joshi, Avinash Shende | INDIA<\/td>\n<\/tr>\n

12:30-13:00<\/td>\n\n

Preserving the non-obvious: an archive of the digital infrastructure of visual communication<\/h3>\nAlexios Zavras | GERMANY<\/td>\n<\/tr>\n

13:00-14:30<\/span><\/td>\nLUNCH BREAK<\/span><\/td>\n<\/tr>\n
14:30-15:00<\/td>\n\n

Re-looking at Devanagari shorthand with aesthetic functionality<\/h3>\nVaijayanti Ajinkya | INDIA<\/td>\n<\/tr>\n

15:00-15:30<\/td>\n\n

\u039a\u03b1\u03bb\u03cd\u03c4\u03b5\u03c1\u03b5\u03c2 \u201c\u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03b9\u03b1\u03ba\u03ad\u03c2\u201d \u03b9\u03b4\u03ad\u03b5\u03c2, \u03ba\u03b1\u03bb\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2 \u03ba\u03cc\u03c3\u03bc\u03bf\u03c2!<\/h3>\nEteoklis Papanastasiou | CYPRUS<\/td>\n<\/tr>\n

15:30-16:00<\/td>\n\n

Back to Vkhutemas and Bauhaus? Some thoughts on future design<\/h3>\nPavel Pisklakov | Russia<\/td>\n<\/tr>\n

16:00-16:30<\/span><\/td>\nCOFFEE BREAK<\/span><\/td>\n<\/tr>\n
16:30-17:00<\/td>\n\n

Greetings from pandemic island<\/h3>\nViktor Koen | USA<\/td>\n<\/tr>\n

17:00-17:30<\/td>\n–<\/td>\n<\/tr>\n
18:00-19:00<\/span>\nin Hall – 1<\/strong><\/span><\/td>\n\n

Closing Keynote <\/span><\/h3>\nNeville Brody | UK<\/span><\/td>\n<\/tr>\n

20:30<\/span><\/td>\n8th ICTVC “Let’s talk about it over dinner” | Registered delegates<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h3>\n

Hall \u00b7 3<\/span><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
09:00-17:50<\/span><\/td>\n\n

Print-Media Science and Technology in the modern era<\/span><\/h3>\n<\/td>\n<\/tr>\n

08:15-08:45<\/td>\n\n

Registration<\/h3>\n<\/td>\n<\/tr>\n

09:00-09:20<\/td>\n\n

Welcome | The Print-media science and technology in the modern era. Trends and evolution<\/h3>\nProf. Dr Anastasios E. Politis, IC – The International Circle of Educational Institutes of Graphic-Media Technology Management<\/td>\n<\/tr>\n

<\/td>\n\n

SESSION 1 | Printing Science in Publishing and Arts<\/em> | Chair: Anastasios E. Politis\n<\/em><\/h3>\n<\/td>\n<\/tr>\n

09:20-09:40<\/td>\n\n

Innovative methodology to retrieve old printing techniques. Case study: the old postcards of early 20th century in Greece<\/h3>\nVasiliki Kokla, Chrysoula Gatsou | GREECE<\/td>\n<\/tr>\n

09:40-10:00<\/td>\n\n

Modern Gutenberg protecting the Art. From the revolution of knowledge to modern Gutenberg<\/h3>\nGeorgios Papadimitriou, Eirini Pavlou, Michail Manonas, Christos Argyriou-Saragias, Antonios Tsigonias, Marios Tsigonias | GREECE<\/td>\n<\/tr>\n

10:00-10:20<\/td>\n\n

The third dimension of the page<\/h3>\nAntigoni Karamani, Efrosini Manou, Marianthi Koliomarou, Athanasios Papakonstantinou, Maria Bekiari | GREECE<\/td>\n<\/tr>\n

10:20-10:40<\/td>\n\n

Challenges and strategies in teaching a Graphic Design foundation course during Covid-19<\/h3>\nTimothy Kagiri, Bhairavi Warke, Gabriel Juliano, Kenneth Zupan, Diane Gromala | CANADA<\/td>\n<\/tr>\n

10:40-11:00<\/td>\n\n

The imageability of cities through the integration of public art<\/h3>\nPhilippa Athymaritou | GREECE, Evangelia Pavlaki | UK<\/td>\n<\/tr>\n

11:00-11:30<\/span><\/td>\nCOFFEE BREAK<\/span><\/td>\n<\/tr>\n
<\/td>\n\n

SESSION 2 | Innovation in Printing Technologies<\/em> | Chair: Marios Tsigonias<\/h3>\n<\/td>\n<\/tr>\n

11:30-11:50<\/td>\n\n

The impact of new digital technologies on modern graphic arts<\/h3>\nGerasimos Vonitsanos, Eirini Pavlou, Anastasios E. Politis | GREECE<\/td>\n<\/tr>\n

11:50-12:10<\/td>\n\n

Colorimetric analysis and light fastness of coatings based on acrylate resins on AA1050 aluminium alloys<\/h3>\nStamatina Theohari | GREECE, Sanja Mahovi\u0107 Polja\u010dek, Tamara Toma\u0161egovi\u0107 | CROATIA, A. Stefanis, E. Ntaflou | GREECE<\/td>\n<\/tr>\n

12:10-12:30<\/td>\n\n

The importance of data analysis in the modern era of print production<\/h3>\nChristos Trochoutsos, Yannis Sofias, Anastasios E. Politis | GREECE<\/td>\n<\/tr>\n

12:30-12:50<\/td>\n\n

Multicolor printing. The origins<\/h3>\nChristos Koutrouditsos, Antonios Tsigonias,\u00a0 Georgios Gamprellis, Maria Gialouri, Anastasios E. Politis | GREECE<\/td>\n<\/tr>\n

<\/td>\n\n

SESSION 3 | Print Management Innovation<\/em><\/h3>\n<\/td>\n<\/tr>\n

12:50-13:10<\/td>\n\n

Screen printing vs digital printing. A comparative analysis of advantages<\/h3>\nPotis Papadakos, Thomais Salogianni | GREECE<\/td>\n<\/tr>\n

13:10-14:50<\/span><\/td>\nLUNCH BREAK<\/span><\/td>\n<\/tr>\n
14:50-15:10<\/td>\n\n

Active organizations for Corporate Social Responsibility practices<\/h3>\nThomais Salogianni, Anastasios E. Politis| GREECE<\/td>\n<\/tr>\n

15:10-15:30<\/td>\n\n

Quality Assurance parameters in prepress<\/h3>\nMarianthi Koliomarou, Athanasios Papakonstantinou, Antigoni Karamani | GREECE<\/td>\n<\/tr>\n

<\/td>\n\n

SESSION 4 | Typography and Design for Print<\/em> | Chair: Chrysoula Gatsou<\/h3>\n<\/td>\n<\/tr>\n

15:30-15:50<\/td>\n\n

The use of image and text in children’s campaign for claiming public space<\/h3>\nPhilippa Athymaritou | GREECE<\/td>\n<\/tr>\n

15:50-16:10<\/td>\n\n

The use of graphic arts technologies in scenography<\/h3>\nCharalampos N. Sepentzis | GREECE<\/td>\n<\/tr>\n

16:10-16:30<\/td>\n\n

Typographische Gestalt: The modular letterform device \/ Mechanism of the letter<\/h3>\nAthanasios K. Papakonstantinou | GREECE<\/td>\n<\/tr>\n

16:30-17:00<\/span><\/td>\nCOFFEE BREAK<\/span><\/td>\n<\/tr>\n
17:00-17:20<\/td>\n\n

Greek banknotes with name and surname between 1954 and 2002. The creator of the initial design<\/h3>\nAnastasia Pesmatzoglou | GREECE<\/td>\n<\/tr>\n

17:20-17:40<\/td>\n\n

Complexity, simplicity, decorativeness. From expressive-experimental to invisible typography and functional new media design<\/h3>\nEvangelos Syrigos, Chrysoula Gatsou | GREECE<\/td>\n<\/tr>\n

17:40-18:30<\/td>\n\n

Discussion<\/h3>\n<\/td>\n<\/tr>\n

18:30-19:00<\/td>\n\n

Conclusions and Closing of the Scientific Event<\/h3>\n<\/td>\n

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ICTVC 8<\/b> \u00b7 Thessaloniki, Greece \u00b7 5 \u2014 9 July 2022<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Programme
<\/b>Speakers<\/span><\/span><\/a>
Programme<\/span><\/a>
Workshops<\/span><\/span><\/a>
Events<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Information<\/b>
Useful facts<\/span><\/a>
About <\/a>Thessaloniki<\/span>
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General<\/b>
Scientific committee<\/span><\/a>
Organising committee<\/span><\/a>
Organisers<\/span><\/a>
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\n\t\t\t\t\t\t\t\t\tFor further information about the ICTVC, please contact:\u200b\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Klimis Mastoridis
<\/b>General Secretary
University of Nicosia, Cyprus<\/p>

Email<\/a><\/span> \u00b7 Web<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Gerry Leonidas
<\/b>Scientific & Organising Committee
University of Reading, UK<\/p>

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Karel van der Waarde
<\/b>Scientific & Organising Committee
Graphic Design \u2013 Research; Basel School of Design<\/p>

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\u2767<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Beyond the obvious\u200b ICTVC 8 \u00b7 Thessaloniki, Greece \u00b7 5 \u2014 9 July 2022 Programme Please, note that this draft is subject to change and will be continuously updated. A pdf version of the full programme will be made available in June 2019. Abstracts Programme Main Conference Thursday 7 \u00a0 Hall \u00b7 1 08:15-09:00 REGISTRATION … Continue reading “Programme”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1335","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/pages\/1335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/comments?post=1335"}],"version-history":[{"count":330,"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/pages\/1335\/revisions"}],"predecessor-version":[{"id":4871,"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/pages\/1335\/revisions\/4871"}],"wp:attachment":[{"href":"https:\/\/ictvc.org\/2022\/wp-json\/wp\/v2\/media?parent=1335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}