{"id":4249,"date":"2022-04-21T12:32:23","date_gmt":"2022-04-21T09:32:23","guid":{"rendered":"https:\/\/ictvc.org\/2022\/?page_id=4249"},"modified":"2022-07-19T13:30:01","modified_gmt":"2022-07-19T10:30:01","slug":"speakers","status":"publish","type":"page","link":"https:\/\/ictvc.org\/2022\/en\/programme-temp\/speakers\/","title":{"rendered":"Speakers"},"content":{"rendered":"\t\t
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Beyond the obvious<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ICTVC 8<\/b> \u00b7 Thessaloniki, Greece \u00b7 5 \u2014 9 July 2022<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Speakers \/ Contributors<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMarios Adonis | CYPRUS<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Dr Marios Adonis is an Associate Professor of clinical health psychology and is currently the Head of the Social Sciences Department at the University of Nicosia. He has served as a board member of the Cyprus Mental Health Commission and the Cyprus AntiDrug Council. He has also served as the vice president of the Cyprus Psychologists Association for two terms. Marios works as a Clinician and is the Clinical supervisor for a substance dependence rehabilitation center in Cyprus. His research interests include psychosocial and cultural factors in cardiovascular health, trauma and positive psychology, especially humility.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Vaijayanti Ajinkya is a Design Consultant from India. With a passionate interest in Indic scripts, she has practiced calligraphy in the Devanagari, Urdu, Kannada, Malayalam and Bengali scripts. A recent Master\u2019s graduate from Sir J. J. Institute of Applied Art in Mumbai, she worked as a Type Design Intern and a Visual Designer before pursuing her interest in typography. Vaijayanti is inclined towards being hyper-referential in her projects by gaining artistic insights from cinema, architecture and history. Local hand-lettered signages and using eccentric writing tools are some things that fascinate her. This led to her presenting a research paper on \u2018Engraving Letters\u2019 at the Typography Day Conference 2020 in Amman, Jordan. She loves traveling, listening to regional music, discovering new forms of art, and tries to relate everything to typography.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emily Allbon is an Associate Professor at the City Law School (City, University of London), moving into academia in 2014 from her previous career in legal librarianship. She is known for her work in developing the award-winning\u00a0Lawbore<\/a>\u00a0resource \u2013 a website to support and engage those studying law, as well as for her work in the field of legal design. She was proud to launch\u00a0TL;DR<\/a>\u00a0\u2013the less textual legal gallery in late 2019\u2013 which showcases ways of making law more accessible to all. In 2013 the Higher Education Academy named her one of 55 National Teaching Fellows. Her academic background includes degrees in English Literature, Law, Information Science and Academic Practice. Aside from a fascination with the ways in which design can impact our understanding, her interests lie in legal education, legal research and legal information literacy, student engagement and the use of technology in teaching and learning.\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Aggeliki MK Athanasiadi is a Visual Communication Designer, Author, Columnist, Founder and Creative Director of “Graphic Stories”, the annual Conference on Graphic Design and Visual Communication in Cyprus. She has been working as a designer since 1999. She holds an MA with Distinction from Middlesex University, London. Having acquired a strong background in print and digital communication and advertising she worked with advertising agencies, as a freelancer, as well as with big printing houses in Athens. She has worked as an Assistant Art Director at the Attica Publishing Group for PC Magazine and for pharmaceutical companies (Novartis, Pharmanel, Menarini, UCB). In 2016 and 2017 she organized the “Behance Portfolio Reviews” in Cyprus. She is a member of the board of the Cyprus Creative Club, the local representative of the Art Directors Club of Europe [ADC*E] and a jury member of the ADC*E (2020). Aggeliki is the co-organizer of the Design Forum “10 min design talk”. In 2019 she published the “Graphic Stories” album-book, her first authoring work. She has participated in art and graphic design exhibitions in Greece, Cyprus, Russia, UAE, China, Korea, Indonesia, Ecuador, Serbia, Mexico and Spain with more than 100 personal artworks. She has been awarded in the Cypriot Design & Advertising Awards “Pygmalion” with Gold and Silver distinction.
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Philippa Athymaritou is an architect specializing in urban planning. She teaches at the University of West Attica, Department of Graphic Design and Visual Communication, since 1986. She holds \u03b1 Diploma in Architecture, Department of Architecture, University of Thessaloniki, Greece (1986), a BSc in Graphic Arts Technology, an MSc degree in Interactive Multimedia from University of Westminster (UoW), London, U.K. Her field of research includes urban planning and graphic arts in the urban environment as well as interactive multimedia and printing technology. Her research has been presented at international conferences.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Shani Avni is the Ismar David Visiting Assistant Curator at the RIT Cary Graphic Arts Collection since 2020. She holds a BA in Graphic Design from Shenkar College, Israel and an MA in Typeface Design from the University of Reading, UK. For her thesis she researched The David Hebrew typeface family and, since receiving her degree, continues to do so. She designs, researches, teaches, consults, writes and lectures on Hebrew type design and typography and perseveres in her efforts to make historical information accessible as both an academic and a practical reference.
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A<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tJo De Baerdemaeker | BELGIUM<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Dr Jo De Baerdemaeker is an award-winning independent Belgian typeface designer and researcher. He holds an MA in Typeface Design and was awarded a PhD from the University of Reading. His interests are designing, researching and writing about world script typefaces (particularly on Tibetan, Lantsa, Mongolian and Javanese) and multilingual typography. He is elected vice-President of ATypI, and currently teaches at LUCA School of Arts (campus Sint-Lucas Gent). In 2012 he founded Studio Type in Antwerp (Belgium), and collaborates with international design agencies and type foundries.
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Angelos Bakas is a typographic designer, lecturer and writer. He was writer, designer and publisher of Acro<\/em>, the first Greek magazine (bi-lingual) on typography and visual communication. He has designed over twenty graecolatin typefaces and is a member of Cannibal Fonts \u2013 an association of Greek type designers. He lectured in Wales, UK, for over ten years, including communication theory and marketing methodologies in his student projects. Since 2000 he worked on brand analysis, development and management, as well as on destination branding and promotion. In 2010 he concluded his professional career with the publication of a collection of significant works by fellow designers in his home city, titled Thessaloniki Graphic Design 1980-2009<\/em>, as the chief editor of a team organized by Red Creative, a Thessaloniki based design bureau. He is also a writer of fiction, with ten published titles (two of them also in English).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Bakker is a visiting associate professor at the School of Design of the Southern University of Science and Technology (SUSTech) in Shenzhen, China. He specializes in design history and information design. His current research concerns the historic development and use of transport symbols for which he carried out extensive research in Germany, France, The United Kingdom and The United States. In addition, he is preparing research into symbol use for AR and animated symbols.<\/p><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Andreu Balius is a type designer based in Spain. He develops his work between Barcelona and the Pyrenees. He designs retail and custom typefaces at Typerepublic.com and has been awarded with several Excellence in Type Design for his type design work. He holds a PhD in Design and teaches typography and type design at EINA, University School of Design and Art, in Barcelona.\u00a0He is a member of AGI (Alliance Graphique Internationale) since 2010, ATypI (Association Typographique Internationale) and the Type Directors Club of New York.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMaria Bekiari | Scientific Event 9\/7<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Maria Bekiari was born and raised in Athens, in 1994. She is a graduand in the Technology of Graphic Arts at the department of Graphic Design and Visual Communication in the University of West Attica. In 2018 she attended a mandatory practicum semester on packaging design and bag printing. She also has experience on screen printing on clothes and stickers and has worked in prepress and post production management.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Prof. Dr Ann Bessemans is a legibility expert and award-winning graphic and type designer. She founded the READSEARCH legibility research group at the PXL-MAD School of Arts and Hasselt University where she teaches typography and type design. Ann is the program director of the international Master program \u2018Reading Type & Typography\u2019. Ann received her PhD from Leiden University and Hasselt University under the supervision of Prof. Dr Gerard Unger. She is a member of the Data Science Institute UHasselt, the Young Academy of Belgium and lecturer at the Plantin Institute of Typography.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Petr van Blokland is the owner, together with Claudia Mens, of Buro Petr van Blokland + Claudia Mens, founded in 1982. He studied at the Royal Academy of Arts \u2013 cum laude \u2013 in The Hague and Industrial Design at Delft Technical University. His special interest is in typography, type design, designing the design process, automation of design, developing software tools for designers and design theory. He developed live design games at various art schools and conferences around the world and published columns in design magazines on various topics. Van Blokland lectures at the Department of Graphic Design (1988-2011) and Master Type & Media (1998\u2013present) of the Royal Academy of Arts in The Hague, as well as at the Master Institute of AKV St. Joost in Den Bosch (2010-present). He received the Charles Peignot Award for typography of AtypI, the Association Typographique International, in 1988 and was Board Member from 1996 to 2003.
Besides lecturing, his current focus is on international projects, related to typography and type design. He also is co-founder of webtype.com and typenetwork.com, for which many typedesign tools were developed. Type Network is also the location of his type foundry TYPETR. The online study environment DesignDesign.Space started in 2017.
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Maria Smith Bohannon is a designer, writer, and practitioner whose research includes expressive use of typography and image and sustainable design practices. She has an MFA in Graphic Design from Kent State University and a BFA in Graphic Design with minors in Illustration and Drawing from the Mary Schilling Meyers School of Art at The University of Akron. Previously, she practiced professionally at the Williams McBride Group in Lexington, Kentucky where she was creative director and as an art director for Kleidon & Associates in Ohio. Currently, she is an Assistant Professor of Graphic Design at Oakland University.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Josefina Bravo is a practising information designer and Post-doctoral Research Assistant at the University of Reading, UK. In her practice and research, she has focused on the design of user-friendly health information, emergency information and education materials. She is particularly interested in user instructions and the range of visual techniques that can be used to enable comprehension of instructional text.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDavid B\u0159ezina | CZECHIA<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

David B\u0159ezina is a designer, writer, lecturer, and chief type officer at Rosetta Type<\/a>. He designed typefaces for a diverse palette of the world\u2019s scripts. David holds a Master\u2019s degree in computer science and an MA in Typeface Design and PhD from the University of Reading, UK. His cross-disciplinary PhD thesis studied visual similarity and coherence of characters in typefaces for continuous reading. Together with Mary C. Dyson et al. they run Design Regression<\/a>, an online mini journal about design for reading and reading research.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNeville Brody [KEYNOTE] | UK<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Neville Brody is Professor of Communication at the Royal College of Art and one of the most celebrated graphic designers of his generation \u2013 a leading typographer and internationally recognised art director and brand strategist. The founder of design agency Brody Associates, he established his reputation as\u00a0creative director of the 1980\u2019s\u00a0Face\u00a0<\/i>magazine, subsequently\u00a0working with record labels, magazines and a range of international clients including Apple,\u00a0BBC online,\u00a0The Times<\/i>, Channel 4, Samsung, Coca-Cola, and the England football team. His hugely influential work has been the subject of numerous exhibitions and publications, most notably the two-volume monograph The Graphic Language of Neville Brody<\/em>, which was accompanied by an exhibition at the Victoria and Albert Museum.
Neville Brody has received numerous awards and honours, including the D&AD President\u2019s Award (2011) and a Prince Philip Designers Prize (2010). Brody became dean of the School of Communication and head of the Visual Communication Programme at the Royal College of Art in January 2011. In 2018 he became Professor of Communication.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSamuel \u010carnok\u00fd | SLOVAKIA<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

A graduate of the Studio of Visual Communication at the Faculty of Arts of the Technical University of Ko\u0161ice (Slovakia), with a teaching position there since 2009. In 2015 he finished doctorate study at the Faculty of Arts in Ko\u0161ice and during the years 2013\u20122014 he completed a study stay at the Studio of Type Design and Typography at the Academy of Applied Arts in Prague (Czech Republic). In terms of graphic design, he focuses on type design, typography and editorial design. He actively cooperates with LTTR\/CORP on the creation of skeleton fonts with the digital tool LTTR\/INK. He is the author and co\u2010author of the publications about typography in Slovakia \u2014 Fonts SK: Digitized type design in Slovakia; Neon lights and advertising typography in eastern Slovakia till 1989. He has been designing and publishing own typefaces under the type foundry CarnokyType, since 2010. He was awarded at the Slovak Design Award 2016 and 2018 \u2013 Communication Design.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAnastasia Chourmouziadi | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Anastasia Chourmouziadi studied in three different academic environments (Chemistry, Architecture, Archaeology) trying to jointly apply \u201cpositivist\u201d methodology, creative design and theoretical enquiry on the field of cultural heritage management, exhibitions, and museums. Her views and proposals have been tested in cultural management master plans, museum exhibitions (such as the Thessaloniki Cinema Museum), archaeological sites rehabilitation (such as Dispilio lake-side settlement reconstruction), and experimental exhibitions, while they are also presented in publications, and conferences. She is Associate Professor of Museology at the Department of Cultural Technology and Communication, University of the Aegean, and Director of the Museology Laboratory of the same university. Her main research interests are theory and methodology of museum practice, exhibition design, public archaeology, as well as the impact of digital technologies on the above.
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Matthieu Cortat-Roller is the Head of the Master Type Design at ECAL\/University of Art and Design, Lausanne, Switzerland. He holds a BA from the Department of Visual Communication, ECAL, and an MA from the Atelier National de Recherche Typographique in Nancy, France. Before his position at ECAL, he was scientific advisor for the Museum of Print and Graphic Communication in Lyon. His current practice is now split between type eduction, retail fonts (distributed by 205 Type Foundry) and custom projects for clients such as Caran d\u2019Ache, the Fondation Louis Vuitton, Eurosport, the Olympic Museum, or cosmetic brand La Prairie. In the recent years he coordinated two publications related to the politics of type design, Archigraphiae, Rationalist Lettering and Architecture in Fascist Rome<\/em>\u00a0and Aram<\/em>, the later focusing on Syriac script and the situation of Aramaic-speaking community in the Middle East and in its diaspora.<\/p><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMary Dyson | UK<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Mary Dyson started by studying experimental psychology with a PhD in perception. She then moved into the Department of Typography & Graphic Communication, University of Reading, UK, teaching and researching theoretical and empirical approaches to typography and graphic communication. She has retired from her post in Typography & Graphic Communication and enjoys writing and editing academic texts, in particular working with former students\/colleagues who are now friends.<\/p><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Craig Eliason earned a PhD in Art History from Rutgers University in 2002. His scholarship since then has focused on the history of type design. He has presented and published research in numerous venues including Design Issues, Printing History, and Typographica. He founded Teeline Fonts<\/a>\u00a0in 2010, and his designs have been been exhibited at the Gutenberg Museum, honored at the Morisawa Type Design Competition, and selected for the Society of Typographic Arts 100. He is Professor of Art History at the University of St. Thomas in Saint Paul, Minnesota, where he has been teaching since 2002.<\/p><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAmelia Fontanel | USA<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Amelia Fontanel is a curator at the RIT Cary Graphic Arts Collection, a renowned library that collects on design, typography, and the book arts. She earned a MS in Printing Technology and Design from RIT, and a BA in Art History from Nazareth College of Rochester. She is responsible for teaching with some 30 different presses and thousands of fonts of analog type in the Cary\u2019s Technology Collection. She actively lectures and publishes on the history and practice of printing and typography. Fontanel has held board positions with the American Printing History Association and the Hamilton Wood Type and Printing Museum.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGeorgios Gamprellis | Scientific Event 9\/7<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

George Gabrellis was born in 1979 in Rhodes Island, lives and works in Athens. He is married and has a child. He obtained his degree in Graphic Arts Technology (TEI of Athens) in 2003, a postgraduate degree in Graphic Arts & Multimedia (Hellenic Open University) in 2011 and a postgraduate degree in Pedagogical Studies Education (Athens Higher School of Pedagogy and Technology). He is a PhD candidate at the University of West Attica. He speaks and writes English and German. He worked for 11 years in the printing industry. For 6 years he was a Laboratory Associate of the Department of Graphic Arts Technology of TEI of Athens and later for 2 years Academic Associate of the Department of Graphic Arts Technology of the Department of Graphic and Visual Communication, Univ. West Attica. At the same time, he has taught in the departments of Printers of the EPAS of OAED for one year. From 2018 until today he is a permanent employee of the Hellenic National Printing Office in the Directorate of Printing and Bookbinding, Print Sector. He is a founding member of the Pan-Hellenic Association of Graphic Arts Technology Graduates (HELGRAMED) (2013) and a member of its Board since its foundation until today. He has served for 4 years as Cashier of the Association and for 2 years as its General Secretary, while for the next 2 years he has been the Vice President of the Association. \u0397e is currently Cashier of the Association again. He is a founding member of the Graphic Arts Research, Development and Engineering Institute (GARDEN Institute) (2016) and a member of its Board since its foundation until today.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tChrysoula Gatsou | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Dr Chrysoula Gatsou is an Associate Professor at the University of West Attica, Department of Graphic Design and Visual Communication, where she works since 1987. She is the Director of the Graphic Arts Technology sector over the last four consecutive years. She holds a BSc in Graphic Arts Technology, an MSc degree in Interactive Multimedia (University of Westminster, UK) and a PhD in Human Computer Interaction. Her research was presented at international conferences and has been published in books and peer-reviewed academic journals. She has more than 30 years of experience in education, training, project and research within the Greek and European Graphic Arts and Media sectors.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tElissavet Georgiadou | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Dr Elissavet Georgiadou lives and works in Thessaloniki, Greece. She studied graphic arts, photography, communication, film and educational hypermedia. She teaches print media, electronic publishing and documentary production at the School of Journalism and Mass Communications, Aristotle University of Thessaloniki and Graphic Arts Technology at the School of Applied Arts, Hellenic Open University. Her research has been presented at international conferences and was published in books and peer-reviewed academic journals. She also produces and directs documentaries.
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNikos Giuris | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

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\u03b5\u03c0\u03b9\u03c7\u03b5\u03b9\u03c1\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03c4\u03b9\u03ba\u03ac \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03b9\u03ba\u03ac. \u0391\u03c4\u03bf\u03bc\u03b9\u03ba\u03ac, \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03bc\u03ad\u03c3\u03c9 \u03c4\u03bf\u03c5 \u03b3\u03c1\u03b1\u03c6\u03b5\u03af\u03bf\u03c5 \u03c4\u03bf\u03c5, \u03bf \u039d\u03af\u03ba\u03bf\u03c2 \u0393\u03b9\u03bf\u03cd\u03c1\u03b7\u03c2 \u03b2\u03c1\u03b1\u03b2\u03b5\u03cd\u03c4\u03b7\u03ba\u03b5 \u03c3\u03c4\u03b1 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03b1 \u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd \u039f\u03c0\u03c4\u03b9\u03ba\u03ae\u03c2 \u0395\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1\u03c2 \u0395\u0392\u0393\u0395<\/em>. \u03a0\u03b1\u03c1\u03ac\u03bb\u03bb\u03b7\u03bb\u03b1 \u03bc\u03b5 \u03c4\u03b7\u03bd \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03c4\u03bf\u03c5 \u03b1\u03c1\u03b8\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03b5\u03af \u03c3\u03c4\u03bf +Design<\/em>, \u03b4\u03af\u03bd\u03b5\u03b9 \u03b4\u03b9\u03b1\u03bb\u03ad\u03be\u03b5\u03b9\u03c2, \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03b5\u03af \u03bd\u03c4\u03bf\u03ba\u03b9\u03bc\u03b1\u03bd\u03c4\u03ad\u03c1, \u03cc\u03c0\u03c9\u03c2 \u03c4\u03bf No Politica<\/em> (2021), \u03ba\u03b1\u03b9 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c3\u03c5\u03bd\u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03cc\u03c2 (\u03bc\u03b5 \u03c4\u03bf\u03bd \u039d\u03ac\u03c3\u03bf \u039a\u03ac\u03c0\u03b1) \u03c4\u03b7\u03c2 \u03c0\u03bb\u03b1\u03c4\u03c6\u03cc\u03c1\u03bc\u03b1\u03c2 Greek Design Scene<\/em>.
web<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tChristos Goussios | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

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\u03c4\u03b1\u03b9\u03bd\u03af\u03b1\u03c2\u00a01968<\/em>\u00a0(\u03c3\u03ba\u03b7\u03bd. \u03a4. \u039c\u03c0\u03bf\u03c5\u03bb\u03bc\u03ad\u03c4\u03b7\u03c2).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDiane Gromala | Scientific Event 9\/7<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Dr. Diane Gromala is a Distinguished Professor at Simon Fraser University. Her research bridges Design and Technology and focuses on innovative health-tech for managing chronic conditions. Dr.Gromala’s pioneering immersive virtual reality (VR) was recognized by Design, HCI and Health awards, from Google’s Moonshot to the Cannes Film Festival’s Health Lions and the AIGA’s first Technological Innovation Award. Her interdisciplinary research is supported by the Paul Allen and MacArthur Foundations, National Institutes of Health and the National Science Foundation in the U.S., and counterparts in Canada\u2014CHIR, NSERC and CFI. Internationally-recognized as a STEM expert, Dr. Gromala sits on boards of tech companies and reviews university curricula that bridge design and technology, including those at MIT. She authored over 100 peer-reviewed papers and co-authored the MITPress book Windows and Mirrors. Her design+software systems are in 20 hospitals and clinics, and have been exhibited worldwide at MOMA, TEDx, Discovery Channel and the 2004 Olympics in Athens.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVangelis Hatzitheodorou | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

\u0394\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd \u03c4\u03b7\u03c2 Paragraph Design\/A\u03b8\u03ae\u03bd\u03b1. \u0394\u03b9\u03b4\u03ac\u03c3\u03ba\u03b5\u03b9 \u201c\u0393\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u201d \u03ba\u03b1\u03b9 \u201c\u0394\u03b9\u03b1\u03c7\u03b5\u03af\u03c1\u03b9\u03c3\u03b7 \u03ba\u03b1\u03b9 \u0394\u03b5\u03bf\u03bd\u03c4\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd\u201d \u03c3\u03c4\u03bf \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0394\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u0391\u03c4\u03c4\u03b9\u03ba\u03ae\u03c2. \u039a\u03ac\u03c4\u03bf\u03c7\u03bf\u03c2 \u0392\u0391 (Hons) \u03c4\u03bf\u03c5 Harrow College \u03c3\u03c4\u03bf \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03cc \u03c0\u03bb\u03b7\u03c1\u03bf\u03c6\u03bf\u03c1\u03b9\u03b1\u03ba\u03cc \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03ba\u03b1\u03b9 \u039c\u0391 \u03c4\u03bf\u03c5 Central St. Martins \u03c3\u03c4\u03bf \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03cc \u03c4\u03c5\u03c0\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03cc \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc. \u0388\u03c7\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03b5\u03af \u03bc\u03b5 \u03b4\u03b9\u03b1\u03c6\u03b7\u03bc\u03b9\u03c3\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u0391\u03b8\u03ae\u03bd\u03b1, \u03b1\u03c0\u03cc \u03c4\u03b7 \u03b8\u03ad\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd. \u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03b7\u03bd \u03bf\u03c1\u03b3\u03ac\u03bd\u03c9\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b5\u03cd\u03b8\u03c5\u03bd\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd \u03c4\u03b7\u03c2 \u03b5\u03b9\u03ba\u03cc\u03bd\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03c2 \u03c4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03c4\u03c9\u03bd \u039f\u03bb\u03c5\u03bc\u03c0\u03b9\u03b1\u03ba\u03ce\u03bd \u0391\u03b3\u03ce\u03bd\u03c9\u03bd \u03c4\u03b7\u03c2 \u0391\u03b8\u03ae\u03bd\u03b1\u03c2. \u039c\u03b5 \u03c4\u03b7\u03bd Paragraph Design \u03c3\u03c7\u03b5\u03b4\u03af\u03b1\u03c3\u03b5 \u03c4\u03b9\u03c2 \u03bc\u03b1\u03c3\u03ba\u03cc\u03c4 \u03c4\u03c9\u03bd \u039f\u03bb\u03c5\u03bc\u03c0\u03b9\u03b1\u03ba\u03ce\u03bd \u03ba\u03b1\u03b9 \u03a0\u03b1\u03c1\u03b1\u03bf\u03bb\u03c5\u03bc\u03c0\u03b9\u03b1\u03ba\u03ce\u03bd \u0391\u03b3\u03ce\u03bd\u03c9\u03bd, \u03cc\u03c0\u03c9\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b7 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03bf\u03c3\u03b5\u03b9\u03c1\u03ac \u03c4\u03bf\u03c5\u03c2. \u0388\u03c7\u03b5\u03b9 \u03c3\u03c7\u03b5\u03b4\u03b9\u03ac\u03c3\u03b5\u03b9 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03b5\u03bc\u03c0\u03bf\u03c1\u03b9\u03ba\u03ac \u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03b9\u03ba\u03ac \u03c0\u03c1\u03bf\u03ca\u03cc\u03bd\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03bf\u03bb\u03c5\u03b5\u03b8\u03bd\u03b9\u03ba\u03ad\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 \u03c4\u03bf\u03c5 \u0394\u03b7\u03bc\u03bf\u03c3\u03af\u03bf\u03c5, \u03cc\u03c0\u03c9\u03c2 \u03c3\u03ae\u03bc\u03b1\u03c4\u03b1 \u03c4\u03c1\u03b1\u03c0\u03b5\u03b6\u03ce\u03bd, \u03c3\u03c5\u03c3\u03ba\u03b5\u03c5\u03b1\u03c3\u03af\u03b5\u03c2, \u03c3\u03b7\u03bc\u03b1\u03c4\u03bf\u03b4\u03cc\u03c4\u03b7\u03c3\u03b7, \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03bf\u03c3\u03b5\u03b9\u03c1\u03ad\u03c2, \u03c4\u03bc\u03ae\u03bc\u03b1 \u03c4\u03c9\u03bd \u03c0\u03b5\u03c1\u03b9\u03c0\u03c4\u03ad\u03c1\u03c9\u03bd \u03c4\u03b7\u03c2 \u0395\u03a7PO 2000 \u03ba\u03b1\u03b9 2005 \u03ba.\u03c4.\u03bb. \u03a3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03c4\u03bf\u03c5 \u03b2\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u039f\u03bb\u03c5\u03bc\u03c0\u03b9\u03b1\u03ba\u03ac \u0395\u03b9\u03ba\u03bf\u03bd\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03b1, \u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03a3\u03b7\u03bc\u03b5\u03b9\u03bf\u03bb\u03bf\u03b3\u03af\u03b1<\/em>, \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b1\u03c0\u03b1\u03c3\u03c9\u03c4\u03b7\u03c1\u03af\u03bf\u03c5.<\/p><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tEvanghelos Hekimoglou [KEYNOTE] | GREECE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Evanghelos Hekimoglou, Economist Historian, PhD, M.A., B.A.
Principal Curator of the Jewish Museum of Thessaloniki (since March 2010). He has published approximately a hundred papers and thirty books, many of them in co-operation with scholars of other disciplines. His research focuses on the social and economic history of Ottoman Empire and Greece (ehekimoglou.blogspot.com).
He has served as:<\/p>